Thursday, 13 October 2011

Weekend? What weekend?

I can't wait for a day when I can just pootle around doing absolutely nothing...but it looks like December is going to be the earliest that that's going to happen. London this weekend, for a wedding on Saturday (great fun, possibly the best one I've ever been to), and the Archery Test Event for 2012 at Lords' Cricket Ground.
Mospinek of Poland beats Wegh of the Netherlands in the quarter-finals
We only had tickets to the Ladies Individual Finals, since that was the only day we could do and fancied the lie-in (hence missing the knock-outs). Sadly, our one English hopeful following the seeding round, Alison Williamson, got knocked out at the 1/32s. Still, it was a great experience, despite the dire commentating (seriously, get someone who can pronounce the archers' names for a start, and not keep blaming the wind for every arrow not in the red or gold).

On the whole, though, the event ran so smoothly that it bodes pretty well for next year. And having never been to Lords' before, that was a pretty cool thing to tick off the list!

Friday, 7 October 2011

TFI Friday

So it's been a busy old time here in the reference library. We've been closed to the public now for 5 weeks (one to go!) due to building works elsewhere, resulting in the relocation of three other departments (that's right, three!) into our hallowed reading room.
The library looks remarkably like this
Not only that, but as I mentioned previously, we said goodbye to a number of colleagues, two of which were library staff. Given that we were effectively a full-time staff of three...yeah, I've taken over a few extra responsibilities! But now we're looking at the future, and hopefully soon we'll have a temp coming to ease the pressure, so that's good news. Though I'll still have to train them, and supervise them, and they won't be working Mondays at all...

Then we've had a colossal book move, swapping a room of oversized books, dealers' catalogues and art books with some of the archives. Hundreds...maybe even thousands of books being moved in two weeks...ouch. And much as I love not having had to move the books myself, this does mean I wasn't able to stop the movers when they reshelved the oversized books not by classmark, but by size. So now nothing's in order and I have no idea where anything is!

Added to that we've got the usual start-of-term chaos happening out in the real world university - I shall be giving tours to the History of Art postgrads soon. I've also been asked to run tours for the Cambridge Library Group, so I'm ankle-deep in email conversations with the other two libraries here to try and co-ordinate that (but that won't be until April, so I have a little time yet!).
The students I'll be showing around the library are ever so slightly older than these
I am luxuriating in the freedom to make decisions - I'm looking at ways to publicise the library and tie it closer to the general museum experience. So the idea is a person comes in, checks out the exhibition that they came to see. They might take in a couple of other galleries, eat at the cafĂ©, make purchases from the shop...somewhere in there I think I can insert "visit library to look at further material on the exhibition, or just have a browse of the fantastic resources the library has on various forms of art". Or maybe just "visit library to sit down and allow feet to recover from all that ambling and read the Times Literary Supplement". I'm not fussy.

And finally...
My course is ever-progressing (at snail's pace). I've read 26 articles and learnt Set Theory for my latest assignment - and I'm hoping that that will be sufficient! I want to get it all done in order to go back to Aberystwyth in April, which means basically having completed everything by January. A month for each assignment should be possible, I think. Particularly given I've done so much reading for the next two already. Once I've completed Information Organisation and Retrieval, it's only Collections Management and Research in the Profession to do to be allowed to go back. It would be nice to have done Music Librarianship and one other before then, but we'll see. I'm hoping to have an idea about my dissertation by then too. I'd love to do something to do with music, but I'm pretty stumped for ideas beyond that thought.

And just a last cartoon which seemed pretty relevant to an art library but that I couldn't fit in with the rest of my verbal splurgings.
Happy Friday!

Monday, 5 September 2011

Business Hours Are Over, Baby

It's party-time. We're saying goodbye to a few colleagues, so here is the festive table before it got summarily destroyed by rampaging employees.

The un-fail-cake is hiding at the back, with Good Luck! written on it in my best icing handwriting (which, for the record, is so much harder than normal handwriting as a leftie, because you're not allowed to smear icing writing). The Christmas decorations are simply because we wished to decorate, and they were the only decorations to hand.

The plan is Easter eggs and plastic daffodils for this year's Christmas party.

Sunday, 4 September 2011

Time for a Room Lovely

If you're not sure what that is, check this. I've thought time and again that a blog should be about the things that interest me, as much as it should be about the things I think should interest others, and I don't know, maybe it's because I've been struggling in the kitchen today (the first cake turned out remarkably torus-shaped) and I have a whopper of a headache, but I feel the need to share one of my more obscure pastimes. To wit: NetHack.

Incidentally the cake is for my dearly-departing colleagues, and will be coffee in flavour, with coffee-flavour butter icing in the middle and Mars Bar icing on top (which is a couple of bars nuked in the microwave until all melty and delicious and just smeared on top and cooled down). The oversized doughnut (or "fail-cake" as Ian delights in calling it) will remain carefully concealed at home until the evidence can be more thoroughly destroyed. Mmmm.

Another incidental prior to my actual official ramblings (yes, they haven't even started yet), is that I am currently trying out the new blogspot interface. It looks bigger and emptier than before, so I suppose that must mean it is now "streamlined" and "minimalist"...so things should either speed up because it isn't filled with crap or things should slow down now I can't find the buttons I need anymore...we'll see how it goes. In any case, I was distracted by the stats on my blog. Some very interesting ones!
  • Thing of note the first: Apparently I'm not the only one who reads it (yes, this surprised me too).
  • Thing of note the second: It has been read by someone (or something) in places as far afield as Canada and India. Wow. Big shout out to those places...

So anyway, going back to the original point of the post, what is NetHack and why is it lovely?


I could say that NetHack is a Rogue-like dungeon exploration game. I could say that it is all represented in ASCII characters. Neither of these things would have meant anything to me when I first started playing, and certainly wouldn't have been the reason that I have been playing for about ten years and don't plan to stop any time soon.

The image above is my current game. I'm playing a knight called Dan. It's going pretty well at the moment. I'm the @ sign in the room left of the middle at the top of the screen, with my pet orange dragon (D) to the left. There are lots of gems (*) buried in the rocks around the dungeon, and a fair bit of gold ($). There's an up staircase (<), and a down staircase (>), and a few other bits and pieces. I'm on Dungeon Level 7 here, though I have reached the Castle level (though not completed it).

So what's the attraction? Well, it's such a carefully wrought game, you can't help but fall in love with it. Every game is different from the last, right down to dungeon layout. The messages you receive as you play are genius. The number of different ways you can die are, frankly, unfathomable (I've died a lot and I've probably done it <1% of the different ways you can). It's a hard game, and requires you to really think about your next action: if you're down to a few hit points, what's the betting that you can kill the monster attacking you? Is it better to run away? Or maybe try out that potion you've yet to identify, in the hopes that it might be a potion of full healing?

I've ascended twice, which is a fancy-pants way of saying I've won the game. The first time I was playing a wizard, and for once didn't die of starvation a few levels into the game. The second time I was a valkyrie, and just hit everything around me.

So the game itself - you start at Dungeon Level 1 and go down. Monsters start out pretty easy, and get tougher as you get further, so you start with newts (:), goblins (o), grid bugs (x) and jackals (d), then end up with dragons (D), titans (H), arch-lichs (L) and other unpleasant beasties. You pick up stuff as you go, either from dead monsters or just left in rooms, but you don't know what it is without experimenting or reading a scroll of identify (assuming that you've managed to identify said scroll, that is).

Fairly early on, you come across two down-staircases on one level. One leads further down the dungeon. The other leads to the Gnomish Mines. These are about 8 levels, a bit tougher than the main dungeon because of the wide open spaces (plenty of room for monsters to be generated in, and not many places to hide), so I tend to dip in, perhaps grab a pickaxe if it's convenient, and scarper back to the main levels. A few more main levels down you reach the Oracle Level, which has a big blue @ in the middle of it, ready to dispense his wisdom...for a price.

The level directly below that has two up-staircases, one leading back from whence you came, the other leading to the Sokoban levels. The Sokoban levels are 4 puzzle levels (each progressively harder than the last) where you have to roll boulders into pits/holes in the floor. At the end there is a "treasure zoo" - a room where each square is filled with gold and a monster, and a closet with either a bag of holding or an amulet of reflection (both very useful).

So, having completed Sokoban, I tend to wander back to the Gnomish Mines, and try and get as far as Minetown (which has a few shops and a priest who can grant you a better armour class). If I'm feeling brave then I'll go down further and complete the end level of the mines (one of three versions, all have a luckstone, again very useful). If not now, I come back later.

Then a few more levels down the main Dungeons and you hear a telepathic message from your Quest Leader, and somewhere there's a magic portal to transport you to the Quest Levels. You have to be a certain level of alignment with your god/dess, and a certain experience level to be accepted on the quest - otherwise you're sent back to a) be better at being chaotic/neutral/lawful or b) kill a few more beasties. This happens to me nearly every time I find the quest levels!

Anyway, get the experience, improve the alignment, and you're in. If you've successfully identified a wand of death, even better. There are a few filler levels, then you get your Quest Nemesis level (which is different for every class that you play. The knight has to defeat the dragon Ixoth, the valkyrie must defeat Lord Surtur and so on). The nemesis holds the Quest Artifact (usually something awesome, like the knight gets the Magic Mirror of Merlin) and the Bell of Opening, which you need later on.

Okay, so Sokoban, Gnomish Mines, Quest levels completed, what's next? If you're lucky, it's Fort Ludios. It's a secret level which is only reachable by a magic portal in a vault room (a 2x2 room filled with gold) somewhere between the quest level portal and Medusa (we'll get to that in a minute). It's tough, but so worth doing, because if you survive the treasure zoo, the hordes of soldiers, the four dragons, the giant eels and Croesus himself, you get tons of food, gold and precious gems, and possibly dragon-scale armour and a fair bit of experience. One room only, so when everything's despatched, back to the main dungeon and continue down.

Medusa is the next milestone. She sits in meditation on an island (yeah, don't ask me how the dungeons have water levels above rock levels, they just do). If you don't have levitation, reflection and the ability to see while blind, then you need to get these things, otherwise you'll struggle to cross to the island, and defeat a monster who can turn you to stone with her gaze. Fairly easy then, though if she reads a cursed scroll of teleportation, you then have to chase her across a number of levels, which is a pain. Beneath her level are a few labyrinthine levels, then the Castle.

The Castle is tough (surprised?). It has hordes of monsters, a couple of barracks of soldiers, it's surrounded on all sides by a moat with sharks and eels in. The spellcasting monsters are the worst - I often genocide liches/arch-liches/demi-liches before this point so they can't curse all my stuff and summon more monsters. But again the rewards are worthwhile, because there is a wand of wishing hidden away. This is how I acquire much of my "ascension kit" (the kibble most useful when attempting to win).

To progress further down, you need to fall through one of the trap-doors in the castle, or make a hole - no down-stair here! This takes you to the last of the main dungeon levels, the entrance to Gehennom. Lots of monsters including mummies, zombies, vampires and ghosts. Then you enter the Gehennom levels. Most are just labyrinths again (hard because lots of traps, lots of monsters, and no quick ways to find staircases). There are a few with named demons you have to face: Juiblex (he has his own swamp level), Baalzebub, Orcus and so on. Then you have to find yet another level with a second up staircase. This leads to Vlad's Tower. Vlad the Impaler is a nice easy kill compared with most of them (as long as he doesn't read a cursed scroll of teleportation, otherwise you're chasing him all over the place again). And when he dies, you get his Candelabrum of Invocation, which you need later.

Heading back to the main Gehennom levels again, you start finding an interesting-shaped and impenetrable construction in the middle of the level. This is the wizard's tower. You'll want to steer clear of that for a while, and concentrate on clearing out the levels of some of the monsters. Eventually you reach the bottom (or is it?) - no more down-staircases. Instead, you'll find a vibrating square somewhere in the dungeon. Mark that, and get ready for a mad dash! Bless everything you need, make sure your loot is handy to pick up somewhere, that your exits are clear. You're going wizard-hunting.

Ascending the tower isn't too bad. A few monsters, generally nothing too complicated. It's a pain if the Wizard of Yendor wakes up too early, but hey, it happens. He's at the top of the tower, meditating away. Kill him (preferably as quickly as possible, usually with a wand of death), and pinch the Book of the Dead from his corpse. Now, everything needs to be done as efficiently as possible, because the wizard keeps. coming. back. "So thou thought thou couldst kill me, fool."

So, race down to the vibrating square, open the portal to the bottom-most level - Moloch's Sanctum, cut swathes through the hordes and hordes of monsters, and reach the secret room where the Amulet of Yendor is held by the priestess or priest there. Kill them, steal the Amulet, then get upstairs as fast as possible. If all this has gone as planned, then upon reaching Dungeon Level 1, you don't leave the dungeon for the world outside, you get transported to the Elemental Planes. You dig your way through the Plane of Earth, fly through the Plane of Air, levitate through the Plane of Fire, and float through the Plane of Water (easily the least taxing of planes, as long as the flipping wizard doesn't appear again!). From there, you reach the Astral Plane, your final destination. Tons of heroes and angelic beings to defeat, not to mention the small matter of Famine, Pestilence and Death (does that make you War?), before finding the correct altar on which to sacrifice the Amulet. Do this, get bathed in glory, ascend - success!

It's intricate, involved, convoluted and at times just plain evil. Best. game. ever.

Monday, 29 August 2011

New (Old) Books!!

I haz unpacked:
The Handy edition Scotts.

More Handy edition Scotts, a few others, and peeping in at the left are a couple of the set of H.G. Wells.

Pretty books! See me preen!

But then, I think I did mention how much I like sets of books:
The Star Wars books are double stacked. The Terry Pratchets will be just as soon as we find the rest of them...and the reason we have duplicate Harry Potters is because we both wanted to read it as soon as it came out.

Mmmm books. The sad thing is, I have very few actual classics, simply because they're on the whole out of copyright, which means I read the e-books instead, which don't have the nifty gold embossed red leather spines to sit on my bookshelf (and take up far too much space). So maybe when I've finished Jane Austen (in the middle of Mansfield Park at the moment), I shall find a nice image of her books on a shelf and place that here as testament to my hours spent ploughing through 18th century England (it's been hard, I can tell you).

And it's back to work... A! G! A-I-N!


For those of you who didn't spend the mid-90s swooning over Blur's album Parklife, learning all the lyrics off by heart and taping their every performance on Top of the Pops (a popular music programme back in the day - ask your parents), the title of this post comes from a song called "Bank Holiday". It's a Bank Holiday today. I am working.

This weekend was spent fetching boxes of books from my parents' house. I have several thousand books. Unfortunately, as seems to be the case with so many libraries, I have nowhere to keep them. There are a few I could probably stand to get rid of - Ben Elton, chicklit I read once for a lack of anything else to do, buried under the rest of the books there are probably quite a few Point Horror books and maybe a couple of Christopher Pikes that can be disposed of (I had a terribly uncultured and lowbrow taste in reading - still do, for that matter).

But the rest I still want - lots of classics, and modern-day classics, because they just look so nice on my shelves (and make for pretty good reading too). Rows and rows of Agatha Christie, Stephen King, James Patterson (because I like sets of books) - when I have the room in my house they'll sit beside the M.C. Beatons and Terry Pratchetts that currently take up a not inconsiderable amount of room in my bookcase.

I've not brought back with me any of those though. Nope, I'm starting classy (and then plummeting down to the depths of awful, no doubt), and now I need to find shelf space for my grandmother's 1877(ish) Handy editions of Scott, cherry-red, calfbound, gold leaf on the outer edges...yummy. Pictures to follow when I get home =)

Thursday, 18 August 2011

I Could Tell You, But Then I'd Have To Kill You

Er...hello? Is this thing on?

Since my last post began with me being embarrassed at how long it's been since my last post, perhaps I'd better not start this post the same way... So, instead we shall begin with a strong recommendation to visit the Splendour & Power Exhibition at the Fitzwilliam Museum, since I've just come from there and it is fab-u-lous!

Now, I shall cringe at how long it has been since my buoyant post about the state of my library degree (which is, sadly, much in the same state as it was six months ago). In that time, there has been much upheaval at work, but I can't say in any detail what that upheaval is/was, or what its repercussions have been. Suffice to say, I'm trying to coping with significant change, more responsibility, etc. etc..

I've got another reason for not writing on here, though. I've been prioritising and taking stock of a lot of things, and one thing I considered is what my blog should actually be about. In between just getting work done, and trying to find time to do my degree work, I don't have the energy to keep abreast of all the new and wonderful things Library 2.0 has to offer. Thus, if I'm keeping a blog, it's not going to be about me and my attempts to engage with these wonderful widgets.

I have basically two directions I can take, I think. One is to keep it professional, following work and degree work. The advantage here is that it has a clear and specific interest (I hope) and a single focus. Later on, when I have finished my degree and work has settled a bit, I might be able to re-embrace the digital world and engage with it. The disadvantage is that there are lots of things about work that are actually confidential, so I'd be struggling to find the balance between being too vague to be any use, and being so informative that I'm being too open.

The second is to make it more personal. There's more to me than just librarianship! The advantage is that I can take it in interesting directions and (hopefully) find a distinct voice in my blogging style (which to my mind is currently pretty bland and faceless). The disadvantage of that is that there may be a lot of crufty entries to sort through before getting to the useful stuff. There aren't going to be many archers interested when I wax lyrical about Notre Dame polyphony, nor musicians interested in my love of 1980s children's TV. Maybe.

Which brings me to a slightly sobering point - there are far more blogs created than read. Ultimately, I'm going to be doing this more for my own ego-massaging benefit than to actually be engaging with other people. It kind of defeats the object of Web 2.0 of democracy of communication, if the only person I'm communicating with (if in a slightly roundabout and public way) is myself.

Final Thoughts

Made it! So, in the end, what do I think? Image by Ralf Kunze from Pixabay I did this as a way of trying to stay connected with my l...